So Skyrim, the fifth game in the Elder Scrolls series, is coming out next week. I’m looking forward to it, mainly because Morrowind, the third game in the series, is one of my favorite games of all time, as are Fallout 3 and Fallout: New Vegas, both also done by Bethesda. You may notice that I didn’t mention Oblivion, the fourth Elder Scrolls game. That’s because I think Oblivion made a mistake, one that wasn’t in the Fallout and thus I am hoping that won’t show up in Skyrim. That mistake was having the world level along with the player. Everyone wants to feel as if they get better and more powerful as they go through a game. Whether this is an improvement in our skills as a player as we learn the game or the improvements in our character’s skills and equipment, we like our character at the end of the game to be better than they were at the beginning. This is especially true in fantasy games. This goes all the way back to Dungeons and Dragons, the first of the modern role-playing games. We want to see our weak, nearly helpless first-level characters developing into nearly-unstoppable demigods at level 20. This is something expected in fantasy. No one blinks when Aragorn single-handedly slays his way through an orcish army in The Lord of the Rings and it is just expected that Luke, Leia and Han can blast their way through dozens of Stormtroopers in Star Wars, but
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On the Level
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What’s the Difficulty, Kenneth?
Last night I was looking to kill a few hours and so went into my Steam games list looking for something light to pass the time. I really didn’t want to get into anything serious so I pulled up Majesty 2. Majesty 2 calls itself a “fantasy kingdom sim” but it really is more of an RTS. You build guild halls (and other buildings) to encourage adventurers to move to your kingdom then set quests for them to perform. It’s kind of the reverse of your normal fantasy game in that you’re the one assigning the quests instead of the one doing them. Yeah, that isn’t looking so good At any rate, I drifted through a couple of missions then suddenly the difficulty spiked. The enemy wizard was dropping fire spells on my village which burned down my market. Then a werewolf wandered into the town and killed almost all of the adventurers who had come there. Without a market I had no income with which to entice more adventurers to come to town and with no adventurers there was no one to protect they peasants so they couldn’t rebuild anything. I was getting more and more frustrated, more-so when I remembered that I had started playing a “light” game to relax in the first place. So I decided to just crank the difficulty down to minimum (since I was just playing as a distraction anyway) only to find that the game
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Review – Kerbal Space Program
Ground control to Major Tom. Ground control to Major Tom. Take your protein pills and put your helmet on. Lately I’ve been playing a bit of an independent game called Kerbal Space Program. The game is a spaceflight simulator in which you design a rocket, put it out on the pad, launch it and attempt to get it into space and successfully return it to Kearth. The game starts in the vertical assembly building where you build your rocket from a series of predefined components. You can choose from a variety of solid and liquid fueled rockets, fuel tanks and motors as well as structural components like stage connectors and stabilizers. You put together one or more stages of the rocket then put the capsule containing your Kerbals, the inhabitants of the planet, on top. Then it’s off to the launch pad. There you can fire off the first stage of the rocket and see if it lifts off or if it simply falls over and explodes. Once off the ground you are responsible for controlling the rocket, jettisoning stages as they burn out and adjusting its pitch, roll and yaw and the thrust of the liquid fueled engines in an attempt to successfully gain altitude and get into orbit. Once there (assuming you managed to make it) you can burn your engines again to cause the capsule to re-enter the atmosphere and descend by parachute to a safe landing. The game is harder than it looks. It is easily
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Remembering the Bomb
There was a time when I knew how the world would end. I grew up in a time when our elementary school would hold nuclear attack drills with the same regularity as they did fire or tornado drills. Regular PSAs on television and radio would remind us to “Duck and Cover!” in the event of a nuclear strike. In college we were dutifully shown the location of our dorm’s fallout shelter and told how to get to it when the seemingly inevitable occurred. In the 1960s and ’70s we knew with a certainty that is hard to describe or even understand now that the world was going to end, and that it would end in fire. I was thinking about this because I’ve been playing through the various DLC for Fallout: New Vegas. The Fallout series of course is set in the aftermath of a global thermonuclear exchange between the US and China. But in the game the war was long ago; 200 years ago in the case of New Vegas. Much of the world is a wasteland but civilization is slowly recovering. (More slowly than I think it should be, but that’s a quibble for a different post.) In New Vegas life in the Mojave Wasteland is tough, but life is going on. In fact, it seems to be a great, exciting place for adventure. The horror that brought this world into existence is almost an afterthought. Almost. Then I started playing Honest Hearts. First nuke hit SLC inside
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Who’s the Boss?
OK, so last time I was talking about Hydrophobia Prophecy and how much it annoyed me when it suddenly broke my suspension of disbelief by suddenly throwing in elements of what was essentially “magic” into what had been a science fiction thriller. Well, I’m not through beating the dead horse of Hydrophobia yet. Because shortly after gaining magical powers from nanotechnology, our intrepid heroine Kate comes face-to-face with another one of my pet peeves in game design; a boss battle. All along Kate has been facing two things. Environmental hazards (in the form of the ship she is own being on fire and sinking) and the agents of the Malthusians attacking her. These hazards and opponents have been slowly increasing in difficulty as Kate’s resources (and the player’s skill) increase. Then suddenly Kate has magical abilities and, two rooms later, is suddenly locked in a battle with a rocket-firing turret that she has to short out with her water-based abilities then shoot in one of its flashing weak points. There is no room for error; hit the turret and weak point exactly right or die. As I have said many times I play games primarily for the story, I want to experience the story or the world as an active participant, not as a passive observer. Boss fights take me completely out of the story. They are sudden reminders that I am playing a game. At one point boss battles made sense. In the arcade days you needed a way
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